Like many folks, I generally don’t like being at hospitals. It has nothing to do with the dedicated health care professionals who work in them, but rather because I associate hospital stays with serious disease or injury. Nevertheless, last week I joined a guided tour through historic parts of Massachusetts General Hospital in Boston, and it was very interesting.
The tour was sponsored by Old South Meeting House, the non-profit organization based in the historic Boston building of the same name. Old South (the building) dates back to colonial days. A public meeting hall, it was the site where rebellious patriots planned the Boston Tea Party (1773) in protest of taxes levied by the British crown. Old South (the organization) maintains the historic site and hosts programs and talks devoted to Boston history.
I learned that MGH was founded in 1811 and is the third oldest general hospital in the U.S. The “general” hospital distinction is important, because it means that (1) its services are open to all; and (2) it treats a full range of health conditions.
The highlight of the tour is a visit to the “Ether Dome,” the name given to the operating theatre that hosted the first public demonstration of anesthesia in 1846. The space is still used for meetings today, and it has been maintained to look as it did during the 19th century.
This 2000 painting depicts the historic event, which you can read about at the Wikipedia page about MGH:
And here’s my snapshot of the location shown in the painting:
Yup, we were right there. It gives you chills.
For reasons stated above, I probably won’t be signing up for many more walking tours of hospitals, if at all. But MGH is a historic site in Boston history and a significant institution in the history and ongoing delivery of health care in America.
The tour was also a reminder to me of how much fascinating history is present in Boston. Even as a history buff, it’s easy to take for granted how much evidence of early American history is all around me. I’ve decided to spend more time exploring that history, and toward that end I recently renewed my membership with Old South Meeting House. It’s neat to play tourist in my own hometown, and I want to do more of that.
This weekend marks the closing of Durgin-Park, a Boston restaurant featuring classic Yankee-style cooking that has been around for over 190 years. In explaining their decision to close, owners cited the rising cost of doing business and competition from newer, trendier restaurants.
Durgin-Park is located in Faneuil Hall, a popular tourist location with shops, restaurants, and pubs. During Boston’s early history, this was a commercial seaport, market, and meeting place, and Durgin-Park served up many meals to those who toiled hard to make a living. Between Faneuil Hall’s period of commerce and its 1970s reincarnation as a tourist site, Durgin-Park continued on as a favorite local eatery.
The closing of Durgin-Park has been big news here in Boston, with much of the coverage sharing nostalgic reminiscing over meals, family gatherings, and visits to the city. Here’s the lede from a piece by Shannon Dooling of WBUR public radio:
Durgin-Park, the Faneuil Hall restaurant that dates back to the early 19th century, is slated to close its doors Saturday. Known for its traditional New England fare, and at times surly wait staff, patrons have been coming out in droves to show support, share memories and enjoy a final meal at the Boston institution.
Durgin-Park is part of my Boston history as well. In the spring of 1994, when I traveled from New York to Boston to search for an apartment in anticipation of my move later that summer, my long-time friends Don and Sharon Driscoll drove out from their home (then in Connecticut) to add a bit of sightseeing to the trip. Sharon was familiar with Durgin-Park from a childhood visit to Boston, and so we made it my first bonafide New England restaurant meal as a soon-to-be Bostonian.
Since then, I’ve taken many guests there, including friends and families visiting Boston on a vacation, as well as groups from academic conferences. The food was always hearty, plentiful, and delicious.
Some of the news reports about Durgin-Park’s closing allude to the possibility of a buyer stepping in to save the restaurant. I have no idea if this is simply wishful thinking. I do know that great cities make room for the new without jettisoning the best of the old. Durgin-Park certainly qualifies as the latter. If it is to serve its last meal this weekend, then it will be missed for years to come.
Tara Isabella Burton, in a feature for The Economist’s 1843 magazine last year, serves up a human interest story on an iconic Manhattan institution, the 24-hour diner:
Londoners have their pubs. Parisians have their cafés. New Yorkers have diners – altars to cheap coffee and mayo-spackled pastrami, where you can order a mug at dawn and stay until dusk, where you can hurl invective at the waiters and where they’ll hurl them right back. New Yorkers may be brusque, but at the diner counter, they’ll tell you every one of their secrets before the second cup of coffee.
. . . The diner, after all, is at once the result of New York’s loneliness and its solution. It’s a place where social rules among strangers – no eye contact, no smiling, especially no conversation – are suspended. The greatest diners, like Chelsea Square, are the 24-hour ones that cater to morning workers and midnight drunks, and to the people who find themselves in those sunrise spaces in between.
Yeah, it’s something of a clichéd piece, characterizing the NYC diner as a refuge for loners and eccentrics in a sort of romanticized, 1940s kind of way. Nevertheless, I enjoyed reading it, because it pushes my nostalgia buttons: The 24-hour diner ranks high among the institutions I miss most about living in New York City, where I lived from 1982 to 1994.
During that time, two such places were regular stops for me, the Washington Square Diner on West 4th Street and 6th Avenue, and the Cozy Soup ‘n’ Burger on Broadway and Astor Place. It’s no accident that both are in the heart of Greenwich Village, near the buildings of New York University, where I went to law school. The Washington Square Diner was a short walk from Hayden Hall, then the primary dorm for first-year law students. The Cozy Soup ‘n’ Burger was close to the Mercer Street residence hall, where most second and third year law students lived.
When I visit New York, a meal at the Cozy is a required pilgrimage. I usually order the same thing: A cup of their incredible split pea soup with croutons and a delicious turkey burger. Some of the same guys who worked behind the counter in the 1980s are still there. I also make occasional visits to the Washington Square Diner, where their challah bread french toast remains one of my favorites.
For most of my life I have been a night owl type. Coming from northwest Indiana, the 24-hour city diner was a revelation to me. Good, basic comfort food at decent prices, available around the clock. Awesome!
I’ve been in Boston for some 24 years. While NYC is the city that never sleeps, Boston tends to go to bed early. Although there are many things I like about Boston, how wonderful it would be to see a bunch of 24-hour diners pop up. After all, sometimes a burger or plate of eggs at 2 a.m. just hits the spot.
The combination of a cold and some holiday downtime has led to a lot of binge viewing during the past couple of a weeks, and the televised rewards have been substantial. Here’s what I’ve been binging:
“TURN: Washington’s Spies” first appeared on AMC in 2014. It’s set in the American Revolution during the late 1770s, and it develops the story of an American spy ring operating along the east coast. When TURN first appeared, I watched most of the first season and thought it was okay, but I didn’t follow the series through its full four-season run. Although I’m a lifelong history buff, for some reason I didn’t take to it during the first viewing.
But I started TURN from the beginning last week and finished this week, via Netflix. I was completely drawn into it. At times the loyalties and deceptions were hard to follow and seemed to flip flop in head spinning ways, but the core narratives held the series together. I especially liked the focus on ground-level operatives. Major military and political figures entered the fray as well, but the perspective was that of the rank-and-file spies, soldiers, and civilians. It deepened my interest in this aspect of American history.
Despite all the awards it’s racking up, I didn’t expect to be so smitten by “The Marvelous Mrs. Maisel.” But I was hooked by the end of the first episode.
Set in 1950s New York City, Miriam “Midge” Maisel (Rachel Brosnahan) is a young wife and mother who quickly discovers that she has a gift for doing stand-up comedy. Susie Myerson (Alex Borstein), who works at the Greenwich Village nightclub where Midge does her first impromptu gig, becomes her manager. Brosnahan is perfectly adorable as Midge, and Borstein is a hilarious scene stealer as Susie.
“The Marvelous Mrs. Maisel” has now completed its second season. I won’t say anything more, except that if you like a funny, charming TV series replete with entertaining doses of New York City nostalgia, family dysfunction, and Jewish culture, this is a winner.
“Mindhunter” is about an unlikely pairing of two FBI agents during the late 1970s who commit themselves to understanding more about the psychology of serial killers. It’s not for the squeamish.
As some readers know, much of my work as a law professor concerns bullying, mobbing, and psychological abuse in the workplace. I have been deeply engaged in this work for some 20 years, and during this time I have deepened and broadened my understanding of psychology, especially in the realms of abuse and trauma. A lot of the psychological themes in “Mindhunter” resonate with me, especially when it delves into the outward “ordinariness” of serial abusers.
I also like how the series tackles the reality of a law enforcement bureaucracy resisting the usefulness of psychological research and insights. Modern, common understandings about serial killers today were quite unknown some 40 years ago, when old fashioned attitudes and assumptions towards hunting down criminals weren’t working for catching this newer breed of killer.
“Dirty John” is about a severely narcissistic, dishonest charmer and his relationship with his latest romantic target. It’s based on a real-life story that was the subject of an award winning podcast. Eric Bana stars as lying drifter John Meehan, and the remarkable Connie Britton stars as Debra Newell, the object of Dirty John’s attention and manipulation.
The limited series is getting mixed reviews, but I love it. I concede that my interests in psychological abuse and deception are a big part of the draw, but I also enjoy the performances and find the storyline creepily compelling. Check it out and see if you agree. And when it comes to Connie Britton’s portrayal of intelligent, accomplished, kindhearted, but clueless Debra, don’t be surprised if the title of a popular self-help help book, Smart Women, Foolish Choices, pops into mind!
Folks, this heavy dose of binge viewing underscored a fundamental truth for me: We’re in the true Golden Age of television. Networks, cable, public television, BBC, and streaming services are producing high-quality new programs in abundance. Cable stations, streaming services, and DVDs are preserving and offering classic television programs from the past.
Although cable bills have gotten out of control, the remaining viewing options are relatively affordable, even on a modest budget. There’s so much good stuff to watch. Bon appétit!