
Rachel (Lea Michele) and Blaine (Darren Criss) performing “Suddenly Seymour,” from Little Shop of Horrors (photo: DY, 2015)
When Glee (Fox) came onto the scene in 2009, it was all the buzz due to its edgy humor and snappy musical numbers, built around the ongoing fortunes of a high school glee club in small-town Ohio. It quickly gave notice that it would tackle, often in unorthodox fashion, topics such as teenaged angst, sexual orientation, jock culture, bullying, and the dynamics of a dysfunctional American high school.
Glee‘s ensemble cast of emerging stars, including Lea Michele as ingenue Rachel Berry and Broadway veteran Matthew Morrison as glee club director Will Shuester, would be joined regularly by notable guests drawn from stage and screen, some jumping into self-mocking roles.
The show was nominated for a slew of Emmy awards following its first full season. That would prove to be its high water mark, for although Glee would continue to have a core of devoted fans, it would soon lose some of its novelty. It also experienced real-life tragedy when Corey Monteith, a beloved core cast member, lost his battle with drug addiction and died due to an apparent overdose.
When Glee appeared, I found myself comparing it to another TV depiction of high school, the brilliant (and criminally overlooked) Friday Night Lights, a drama about life and football in small town Texas. With a few exceptions, the story lines and dialogue in Friday Night Lights were pitch perfect, even when dealing with sensitive subjects such as race or abortion.
By contrast, Glee has been a hot mess, sometimes nailing its messages, other times eliciting grimaces, but almost always in an entertaining mode. Pushing the envelope via a quirky mix of humor, music, and emotional drama is not an easy thing to do on network TV, but Glee has succeeded more often than not.
I haven’t been a steady Glee viewer. Like others, I was drawn to it at the beginning, and then kind of lost interest. But I’ve decided to tune in for the final season, and it has proven rewarding. On the whole, Glee has been good for television and spoken to a lot of kids (and some adults) who have felt like misfits while navigating the halls of their high schools and life in general.